Though she’s undoubtedly best known for characters like Mary Katherine Gallagher and 50-year-old dancer Sally O’Malley on Saturday Night Live, Molly Shannon has been working pretty consistently for the past 30-odd years. And I had to sell office supplies too; that was the worst. And I still buy them every day, and I don’t appreciate it at all. MS: There’s a jingle that I can never get out of my head from Sears. “To really hold her, you’ve got to touch her.” I like songs like that, sappy love songs. went the strings of my heart, dear when you smiled at me.” I sang that in the shower last week. MS: When I first came to Los Angeles, I didn’t have a lot of money.

Club asks interesting people 11 interesting questions—and then asks them to suggest one for our next interviewee. That was really like, “Wow, I can afford a cappuccino.” So that was the big thing.

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Molly Shannon: I worked at a dating service a long time ago. And I just left and got into my car and drove away, I think with the key. MS: My mom died when I was 4, so I never really found out what she wanted me to be. ” And I would ask her to whisper it because it was so low or usually in negative funds, so I didn’t want everybody to hear. So I looked in the paper, and there was an older woman who was in her 60s, who was a newly recovering alcoholic. She was just not a good roommate, so that was not a great situation.

It was in the ’90s, and there were people that could look at one another’s tapes. But my dad—who was my primary caretaker after my mom died—he really just wanted me to be happy. And she was from Ireland and she was like, “If you want, you could sleep on my floor, and I’ll sleep on the couch.” So I was like, “Ugh, this is depressing.” But she was going to be my roommate. But I almost moved in with a recovering alcoholic to sleep on her floor.

Mary Katherine (played by Molly Shannon, who created the character), television's most endearing insecure extrovert, is the focus of ''Superstar,'' a comedy with several good laughs but no convincing cohesion.

The plot is twofold: Mary Katherine sets out to win a venereal disease benefit talent contest sponsored by Catholic Teen magazine, so she can go to Hollywood and begin achieving the international fame she knows she deserves.

And I was the girl who they would call to say, I’m calling to see if—the girls were numbered. “I’m checking to see if No...” They would request who they were interested in and then they would call to see if the girl was interested back—and I would have to say, “No. He was very easygoing that way, about, “It doesn’t matter what you do, as long as you do what makes you happy.” So I think he was excited that I was going into show business. She had a heart of gold, but I was like, this is not going to be great.

22, this girl is not interested in you.” And then they would ask for the reasons why, and I would have to give them the reasons over the phone. He was definitely concerned because he was like, “Oh, God.” He worried about my happiness, but he was very supportive. He loved theater and the movies, so he was really supportive of my endeavors. Do you remember that old show where people would say they were the person? I think I’d be good at that—guessing who the real person is. MS: I know I can’t take my sister because when we were little, we used to always fight.

MS: I love that book Bartleby, The Scrivener, so maybe I would want to be a work friend of Bartleby’s. And my dad finally was so sick of being like, “Girls, stop fighting, stop fighting,” that he finally let us have a match at a hotel room in Palm Beach, Florida. He was like, “I’m so sick of this.” So he let us have a fight.

But yeah, on the sandwich could be: turkey, avocado, onions, cheese, mayo, or chicken salad or egg salad with mayo, and salt and pepper. MS: I remember, when I first started to make money, I started buying cappuccinos.

''Superstar'' gives us characters like Evian (Elaine Hendrix), Sky's blond cheerleader girlfriend, her pals Autum and Summer (Natalie Radford and Karen Dwyer), and Slater (Harland Williams), the guy in special ed who never talks.